The future of art

Laddie John Dill is an American sculptor and fluorescent provocateur best known for his Light Traps and Light Sentences, in addition to neon installations. Dill remains an influential member of the California Light and Space movement and one of the principal protagonists responsible for drafting the group's manifesto along with fellow artists John McCraken, James Turrell, Larry Bell, and Mary Corse. The movement concerns itself with the transformative impact of both light and geometry upon the viewer's own cerebral and physical understanding of their immediate environment. 

Learn more

Originally from Long Island, Christopher Volpe is an artist, writer, and teacher working and living in New Hampshire. His paintings in tar and gold leaf reference mortality, mysticism, and concern for the fate of a world buying and spending its way toward uninhabitability.

His work is collected internationally and held in the permanent collections of the New Bedford Whaling Museum, the Whistler House Museum, Smith College, Ege University (Turkey) and the University of New Hampshire. Grants and awards include the Saint Botolph...

Roman Kriheli’s paintings draw on the rich heritage of the Renaissance and the Old Masters. He reinterprets the artistic traditions of the West to create unique imagery that merges the old with the new. Drawing inspiration from the world around him and finding the hidden significance imbued in everyday objects, humanity, and its creations, Kriheli explores themes of beauty, mysticism, and spirituality. He confronts head-on the most difficult questions about life, death, and what lies outside human knowledge. Ever elusive and much sought after by collectors around the world, Kriheli has remained true to his singular yet eclectic vision of...

Born in Mexico, Duarte’s work is rooted in history both collective and personal, his own, he intertwines experiences of modern life with collective ones rooted in myth and history through the lens of his own Mexican culture. Despite the seemingly cultural specific themes he touches on, the experiences he brings are universal because he sees Mexican history, no different than Roman or Japanese - it belongs to all of us and within each story, each culturally specific narrative, we find the collective experience that binds us all. The narratives we tell ourselves across the world, whether it’s...