The future of art

Hisako Kobayashi grew up in Tokyo before moving to New York City in 1981 to earn a Master of Fine Arts at Pratt Institute. An abstract painter, she has since exhibited her work on five continents over a span of three decades. Upon observation, her works clearly and openly illustrate a maternal devotion to her native Japan while at once embracing the essence of her newfound Western sensibilities. 

Art critic Donald Kuspit has authored this on her work, "Kobayashi's paintings exemplify the romantic idea that 'it...

David Mellen (b. 1970, Chicago, IL, USA) attended the American Academy of Art and exhibited his work in his hometown of Chicago until 1994, when he moved to Europe. Over the next five years, he exhibited work in Paris, Brussels and London while working at studios in Germany and Brussels.

After returning to the States and living for a...

Hisako Kobayashi grew up in Tokyo before moving to New York City in 1981 to earn a Master of Fine Arts at Pratt Institute. An abstract painter, she has since exhibited her work on five continents over a span of three decades. Upon observation, her works clearly and openly illustrate a maternal devotion to her native Japan while at once embracing the essence of her newfound Western sensibilities. 

Art critic Donald Kuspit has authored this on her work, "Kobayashi's paintings exemplify the romantic idea that 'it...

Hisako Kobayashi grew up in Tokyo before moving to New York City in 1981 to earn a Master of Fine Arts at Pratt Institute. An abstract painter, she has since exhibited her work on five continents over a span of three decades. Upon observation, her works clearly and openly illustrate a maternal devotion to her native Japan while at once embracing the essence of her newfound Western sensibilities. 

Art critic Donald Kuspit has authored this on her work, "Kobayashi's paintings exemplify the romantic idea that 'it...

Born in Mexico, Duarte’s work is rooted in history both collective and personal, his own, he intertwines experiences of modern life with collective ones rooted in myth and history through the lens of his own Mexican culture. Despite the seemingly cultural specific themes he touches on, the experiences he brings are universal because he sees Mexican history, no different than Roman or Japanese - it belongs to all of us and within each story, each culturally specific narrative, we find the collective experience that binds us all. The narratives we tell ourselves across the world, whether it’s in Mexico, Kenya or...