Gallery

The future of art

About
Established 2015. GBG prides itself on introducing collectors to the art and artists that will come to define tomorrow's artworld.
"Pick art you love—every piece you purchase should pass this fundamental test."
Recent works
Todd Williamson
Creating Change, 2016

Todd Williamson is a contemporary painter based in Los Angeles. His work is strongly influenced by mid-20th century American Abstract Expressionism. Williamson's paintings are characterized by their strict observance to geometry, enlisting parallel formations that reflect a formal consideration of light, color, and shape. Using a refined process of building and removing multiple layers of oil on canvas, his works employ both complementary hues and opposing values, focusing on subtle layers of color and movement. 

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Creating Change
Christopher Volpe
Any Human Thing, 2015, 2015

Originally from Long Island, Christopher Volpe is an artist, writer, and teacher working and living in New Hampshire. His paintings in tar and gold leaf reference mortality, mysticism, and concern for the fate of a world buying and spending its way toward uninhabitability.

His work is collected internationally and held in the permanent collections of the New Bedford Whaling Museum, the Whistler House...

Any Human Thing, 2015
Frank Lind
Requiem, ‎

Frank Oscar Lind III was born in Woonsocket, Rhode Island, and grew up in the adjoining town of Cumberland. The eldest of eight children, he watched the fields and farms of his home town change to suburbs and city. He was able to make a studio in the basement of his childhood home, and early inspirations ranged from Michelangelo to science fiction illustration.

Lind attended Georgetown University in Washington DC, receiving a BA in Fine Arts in 1970. He moved to New York City in...

Requiem
Ann Strassman
Faces I, ‎

Ann Strassman is an American figurative painter working in Boston. Antiques and the Arts Weekly vividly describes her style as “expressive realism” that “evolves from an unforgiving eye which she has developed through experience. Through the use of exaggerated brushwork and dramatic tones she creates psychological tension. The vocabulary may well be German Expressionism and London school, but the vision is all her own.” 


Such compelling thought exercises led Strassman to the School of the Museum of Fine Arts in Boston, where she developed the skills...

Faces I
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