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Khara Oxier-Mori (b. 1979) is an Idaho-based artist whose primary focus is the human body. Khara attended Boise State University after having received an honorable discharge from the United States Marine Corps and in 2016 earned her degree in anthropology with a concentration in genetics, evolutionary medicine and osteology. Her life experiences are her chief inspiration, and she credits the deconstructionist theories of Derrida and Foucalt for her relentless pursuit and examination of human power dynamics.
Wonsook Kim (Korea, b. 1950) arrived in America in 1972 and has since cultivated her practice embracing a variety of media that includes painting, drawing, printmaking, and sculpture. In her opinion, her artwork resembles prose and is suggestive of poetic entries in a symbolist or surrealist diary and it is through these virtual transcriptions that she engages her audience in myth making, storytelling, and the occasional lore of the folk. A master of line, Kim complements her delicate imagery with composition...
Kristin Jai Klosterman (American, b. 1977) is best known for her large-scale mobile sculptures and mixed media paintings. Klosterman focuses on the exchange between contrasting mediums as her vehicle for an examination of the balance of power between the masculine and feminine. While radically different in terms of presentation, both Klosterman's sculptural and painterly works draw their inspiration from an identical source - the Fibonacci sequence, which occurs spontaneously in nature.
Klosterman's sculptures are exhibited in numerous public forums in California, Texas and Tennessee and...
Tom Lieber (b. 1949 | American) is best known for his abstract paintings, which explore spatial diversity, the artist's relationship with paint and energy, and the relationships between colors.
Tom Lieber’s recognizable, calligraphic mark-making continues to be a focus in his paintings. The grace and shape of his bold lines...
Ann Strassman is an American figurative painter working in Boston. Antiques and the Arts Weekly vividly describes her style: “Ann Strassman’s expressive realism… evolves from an unforgiving eye which she has developed through experience. Through the use of exaggerated brushwork and dramatic tones she creates psychological tension. The vocabulary may well be German Expressionism and London school, but the vision is all her own.”
Such compelling thought exercises led Strassman to The School of the Museum of Fine Arts, Boston where she developed the...
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